Filed under: Books, Graffiti | Tags: As Seen In..., Can It, Graffiti, M.T.A., New York City, NYC, SubCulture, SubCulture Zine, Zines
Appears I got a little shine on the cover of the new zine “SubCulture #1: Can It”. Good looks.
From their site:
SubCulture #1: Can It
Introducing SubCulture, a new zine about art and culture in the subway. The first issue, entitled “Can It,” is all about the old style trash cans in the subway. These cans acted as a canvas for graffiti writers up until they were discontinued in 2011.
The handmade zine includes 32 pages (including the color cover) of images and text on the topic. Each one comes with the following: one numbered copy of SubCulture #1: Can It, an unique envelope that mimics the design of the subway trash cans complete with a mini CAN IT FOR A GREENER PLANET sticker and handmade mini stickers by over 15 different artists, a Subway Art Blog business card and vinyl sticker, and at least one other assorted sticker.
The zine is limited to an edition of 100. SubCulture is now available at the Subway Art Blog store at: subwayart.bigcartel.com
Filed under: Uncategorized | Tags: A, Alone, Alone One, Alone1, AloneOne, Art, As Seen In..., AV One, Chew, Graffiti, Hert, Inspiration, Kevin Cyr, Malvo, MTK76, Net, New York City, NYC, Ski
Cool oil painting by Kevin Cyr. A NYC van, complete with rust, dents, and graffiti. And upon close examination… ALONE and NET marker tags (under a paint tag) on the door. Haha.. New York City!
“In Praise Of Rust” by Kevin Cyr
Here’s a few more of his paintings…
from JonathanLevineGallery.com…
NEW YORK, NY (April 3, 2012) — Jonathan LeVine Gallery is pleased to announce In Praise of Rust, a series of new oil paintings on panel by New York-based artist Kevin Cyr, in what will be his first solo exhibition at the gallery.
In Praise of Rust features paintings of old vehicles seen on the streets of New York—primarily vans and commercial delivery trucks—covered in graffiti, rust, scratches, scuffs, dents and other marks of distinction. Cyr includes a meticulous level of detail in his portrait-like representations with devoted attention to every imperfection and sign of age. Removing the context of the urban landscape, he places a strong focus on his subjects by isolating them in fields of flat, solid color.
The neglected appearance and utilitarian function of these vans carry a bit of nostalgia. Once ubiquitous in large urban cities, they have now become far more rare, replaced by heavily branded box trucks. In the artist’s words, “painting them is my way of documenting a grit that is slowly disappearing from New York. In a culture where people are lured by the appeal of status-enhancing symbols, I find so much character in derelict vans. I have always been interested in painting vehicles that have defined the evolution of the American landscape.”
On the subject of his exhibition title, Cyr says “Rust serves as a good metaphor for this series, a symbol for deterioration and decay. The meaning also changes slightly when used as an adjective, as in: to become ‘rusty’ or impaired through inaction or disuse.”
Common themes in Cyr’s larger body of work have included mobility, sustainability and self-reliance. Referencing consumer culture and the fuel/energy crisis, these paintings offer a subtle commentary on how rapidly the technology of our generation becomes perceived as obsolete, amid an increasingly unstable and uncertain climate of economic and environmental issues.
ABOUT THE ARTIST
Kevin Cyr was born in 1976 in Edmundston, New Brunswick, Canada. He grew up in Madawaska, Maine and received a BFA from Massachusetts College of Art in Boston. Cyr is currently based in Brooklyn, New York. His paintings, drawings, sculptures and installations have been exhibited by galleries and museums, internationally. In March 2012, Cyr’s work was the subject of an article in The New York Times. Cyr was recently interviewed by fellow artist Dan Witz for a feature that will appear in the May 2012 issue of Juxtapoz, and the May 2012 issue of NYLON Magazine will include a story on Cyr, as well.
Filed under: Art, Books, Graffiti, Inspiration, Photography | Tags: 2012, Alone, Alone One, Alone1, AloneOne, As Seen In..., Baser, Brooklyn, Carnage, CarnageNYC, Crast, graf, Graffiti, Interviews, Minus, NYC, Stickers, True Grit, Zines
New zine out from CarnageNYC. Thick 60 pages of pics and interviews, stickers, and dope silkscreened covers (frameable pieces themselves). Check em out…
“Stuck” No 1 consists of 60 pages of previously unreleased photos of some of the sickest NYC stickers plus interviews with BASER, ALONE, MINUS and CRASTY. Each copy of the zine comes with three hand-written stickers, along with a full set of four vinyl stickers made exclusively for this issue. The cover image was screenprinted over layers of stickers and up to four colors of paint, giving each cover a completely unique look and texture. (Note: a very small number of covers are available in white ink). Stuck is limited to 300 hand-numbered copies. More info and pics at CarnageNYC. Get a copy here. |
Filed under: Art, Graffiti | Tags: 2007, 2011, Alone, Alone One, Alone1, AloneOne, Art, As Seen In..., Auto, Cars, Graffiti, Murals, Paintings, spraypainted, The Boston Globe
A car I painted back in ’06/’07 spotted in a photo in the Boston Globe (some story about The Big Dig) recently…
Here’s a better pic of the car…